Ester Bruzkus Architekten design Ibis Budget Hotel in Münster
EBA’s design for the Münster Ibis Budget Hotel is bold, vibrant, and cost-conscious – demonstrating that inviting, playful spaces can be achieved without resorting to expensive materials.
July 2025 | For the Münster Ibis Budget Hotel, Ester Bruzkus Architekten made something that is targeted to travelers on a budget: something that is fun, colorful, playful, bright, cozy, cheerful, and casual. The design proves that one need not use expensive materials to make a splash. A number of cost-effective strategies were used to make the effect. On the one hand, the concrete ceiling and walls are selectively exposed - using what is there instead of adding extra layers. Ceiling-mounted services (HVAC, lighting, acoustical panels) are treated as an integral part of the overall composition instead of being completely hidden or completely exposed. Acoustical clouds with round ends wrap the ceiling and fold on the wall; linear lights run vertically as well as horizontally.
The floor plan of the Lobby Level. A sliding translucent screen separates the waiting/entry area from the morning breakfast room. Built-in terraced seating (bottom, gray-toned) extends into each room so that in the lobby, it acts as an area to hang out and socialize and in the breakfast area it acts as seating. Three concentric racetrack rings on the floor help to unify the space.
The axonometric view of the entrance lobby shows the overall volumetric and color relationships. A sliding translucent screen (supported on the yellow beam) separates the waiting area from the breakfast area, which is open to a small green terrace at the rear. At one end of the breakfast area a brown built-in piece of cabinetry acts as both the servery and the screen between the eating area and the elevator lobby.
A subtle geometry also integrates different materials and colors: circles and half circles are used throughout at different scales. One example is the buffet cabinet in the breakfast room: round lights and an MDF arch combine to create a playful atmosphere. The breakfast room is separated from the lobby by a sliding screen made from translucent polycarbonate sheets. The lobby has a sitting area for guests that includes built-in and loose furnishings. The material palette combines exposed concrete, colorful painted surfaces, integrally- colored MDF, mirrors, terrazzo, shiny metals, and painted spun-wood acoustical boards.
A custom carpet is printed with yellow, gray, and black pattern, suggesting a pop terrazzo that forms an ensemble with the darker floor and lighter-toned built-in cabinetry like the reception desks. Upstairs, the corridors leading to the guest room have shadows of the arched doorways printed on the carpet. It is a playful gesture, but also one that recalls the arched covered public walkways that are characteristic of old Münster. Inside the guest rooms, the yellow of the corridor comes into the room just far enough to envelop the bathing area – a large round mirror overlaps the yellow area and the exposed concrete wall. The patterned printed carpet changes color at this point too. The effect is stylish and fun, bright and economical.
“The small budget opened doors for all sorts of non-standard design ideas.”
Partner Ester Bruzkus
Above: The view from the waiting area towards the check-in stations. To the left is a mirrored wall, so the space seems to expand past its boundaries. Ceiling-mounted air ducts, lighting, and round acoustical clouds are treated as an integral part of the overall composition instead of being completely hidden or completely exposed. Acoustical clouds with round ends wrap the ceiling and fold on the wall; linear lights run vertically as well as horizontally.
“We tried to leave the shell alone and exposed and to add just enough to contrast cool with warm.”
Partner Ester Bruzkus
Below: A view past the entrance (right, in blue) towards the mirrored wall and the check-in area. Selected acoustical clouds on the ceiling, together with custom-patterned carpets, help to create rooms-within-rooms.
“We wanted to make something that was playful and inexpensive - full of lightness and color.”
Partner Ester Bruzkus
Below: The breakfast area uses through-dyed MDF to make the built-in serving area. The warm tone of the material blends with light wooden furniture, a gray terrazzo floor and a painted acoustical ceiling. Globe lights are playfully arranged to create a cheerful and casual atmosphere.
“We like to mix and match in unexpected combinations.”
Partner Ester Bruzkus
Inside the guest rooms, the yellow color of the corridor comes into the room just far enough toenvelop the bathing area.
A large round mirror overlaps the yellow area and the exposed concrete wall. A custom printed carpet changes color at this point too, demarcating the sleeping area from the entry.
“The color carries the design idea.”
Partner Peter Greenberg
Location
Münster, Germany
Year of Completion
2024
Client
Ibis Budget
Services Provided
Phases 1–5 (HOAI)
Team
Ester Bruzkus, Peter Greenberg, Stephanie Meine, Ana Knežević, Arianna Petrulli, Svenja Bechtel, Iwetta Ullnboom, Elisabeth Strump, Martina Durrant, Natalie Ziesemer, Ekaterina Miroshnichenko
About
The international office with a focus on interior design was founded by Ester Bruzkus in Berlin in 2002 and is known for rich and detailed planning of contrasting spaces. The atmospheres they create are at once contemporary and inviting, gaining their distinct character through the juxtaposition of simplicity and opulence, functionality and free play. The scope of their work ranges from hotels and restaurants to offices and private residences, while the architects have proved time and again to be experts in the combination of materials and especially colours.
www.esterbruzkus.com
@esterbruzkusarchitekten
 |
July 2025 | For the Münster Ibis Budget Hotel, Ester Bruzkus Architekten made something that is targeted to travelers on a budget: something that is fun, colorful, playful, bright, cozy, cheerful, and casual. The design proves that one need not use expensive materials to make a splash. A number of cost-effective strategies were used to make the effect. On the one hand, the concrete ceiling and walls are selectively exposed - using what is there instead of adding extra layers. Ceiling-mounted services (HVAC, lighting, acoustical panels) are treated as an integral part of the overall composition instead of being completely hidden or completely exposed. Acoustical clouds with round ends wrap the ceiling and fold on the wall; linear lights run vertically as well as horizontally.
The floor plan of the Lobby Level. A sliding translucent screen separates the waiting/entry area from the morning breakfast room. Built-in terraced seating (bottom, gray-toned) extends into each room so that in the lobby, it acts as an area to hang out and socialize and in the breakfast area it acts as seating. Three concentric racetrack rings on the floor help to unify the space.
The axonometric view of the entrance lobby shows the overall volumetric and color relationships. A sliding translucent screen (supported on the yellow beam) separates the waiting area from the breakfast area, which is open to a small green terrace at the rear. At one end of the breakfast area a brown built-in piece of cabinetry acts as both the servery and the screen between the eating area and the elevator lobby.
A subtle geometry also integrates different materials and colors: circles and half circles are used throughout at different scales. One example is the buffet cabinet in the breakfast room: round lights and an MDF arch combine to create a playful atmosphere. The breakfast room is separated from the lobby by a sliding screen made from translucent polycarbonate sheets. The lobby has a sitting area for guests that includes built-in and loose furnishings. The material palette combines exposed concrete, colorful painted surfaces, integrally- colored MDF, mirrors, terrazzo, shiny metals, and painted spun-wood acoustical boards.
A custom carpet is printed with yellow, gray, and black pattern, suggesting a pop terrazzo that forms an ensemble with the darker floor and lighter-toned built-in cabinetry like the reception desks. Upstairs, the corridors leading to the guest room have shadows of the arched doorways printed on the carpet. It is a playful gesture, but also one that recalls the arched covered public walkways that are characteristic of old Münster. Inside the guest rooms, the yellow of the corridor comes into the room just far enough to envelop the bathing area – a large round mirror overlaps the yellow area and the exposed concrete wall. The patterned printed carpet changes color at this point too. The effect is stylish and fun, bright and economical.
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“The small budget opened doors for all sorts of non-standard design ideas.”
Partner Ester Bruzkus
Above: The view from the waiting area towards the check-in stations. To the left is a mirrored wall, so the space seems to expand past its boundaries. Ceiling-mounted air ducts, lighting, and round acoustical clouds are treated as an integral part of the overall composition instead of being completely hidden or completely exposed. Acoustical clouds with round ends wrap the ceiling and fold on the wall; linear lights run vertically as well as horizontally.
“We tried to leave the shell alone and exposed and to add just enough to contrast cool with warm.”
Partner Ester Bruzkus
Below: A view past the entrance (right, in blue) towards the mirrored wall and the check-in area. Selected acoustical clouds on the ceiling, together with custom-patterned carpets, help to create rooms-within-rooms.
“We wanted to make something that was playful and inexpensive - full of lightness and color.”
Partner Ester Bruzkus
Below: The breakfast area uses through-dyed MDF to make the built-in serving area. The warm tone of the material blends with light wooden furniture, a gray terrazzo floor and a painted acoustical ceiling. Globe lights are playfully arranged to create a cheerful and casual atmosphere.
“We like to mix and match in unexpected combinations.”
Partner Ester Bruzkus
Inside the guest rooms, the yellow color of the corridor comes into the room just far enough toenvelop the bathing area.
A large round mirror overlaps the yellow area and the exposed concrete wall. A custom printed carpet changes color at this point too, demarcating the sleeping area from the entry.
“The color carries the design idea.”
Partner Peter Greenberg
Location
Münster, Germany
Year of Completion
2024
Client
Ibis Budget
Services Provided
Phases 1–5 (HOAI)
Team
Ester Bruzkus, Peter Greenberg, Stephanie Meine, Ana Knežević, Arianna Petrulli, Svenja Bechtel, Iwetta Ullnboom, Elisabeth Strump, Martina Durrant, Natalie Ziesemer, Ekaterina Miroshnichenko
About
The international office with a focus on interior design was founded by Ester Bruzkus in Berlin in 2002 and is known for rich and detailed planning of contrasting spaces. The atmospheres they create are at once contemporary and inviting, gaining their distinct character through the juxtaposition of simplicity and opulence, functionality and free play. The scope of their work ranges from hotels and restaurants to offices and private residences, while the architects have proved time and again to be experts in the combination of materials and especially colours.
www.esterbruzkus.com
@esterbruzkusarchitekten
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architects
Architecture
Design
Ester Bruzkus Architekten
Germany
Ibis Budget Hotel
Münster
Münster Ibis Budget Hotel
